Wanna Help a New Woodworking School Get Off the Ground?

No, not mine. At least not yet.

But there is a new school opening in the Austin, TX area in the very near future. Shawn Graham (http://wortheffort.com/) has the keys in hand and is opening soon. You can read about it on his blog. What I like about it is that Shawn is planning to make teaching kids a big part of the school (and using the woodworking to reinforce their academic lessons, giving school real world application).

If you’d like to help the school, there are a few ways you can do so, from monetary to tool donations. Read more about it here http://wortheffort.com/wordpress/ and also here http://wortheffort.com/support/crowdfunding.html.

Full disclosure, I have been asked by Shawn to teach a weekend class, but I just really can’t get away to do so this year. I may in the future though. For now, I have a few old tools that I’m going to clean and tune up to send.

Short Break, Minor Setbacks

As you’ve probably noticed, I haven’t been posting much recently. I’ve been busy (mostly with customers’ saws and non woodworking stuff) but the main reason is because we’ve lost our laptop. Not lost as in misplaced, lost as in snap, crackle, smoke. It’s done for good. I can still respond to emails from my phone, but adding content to the blog is a challenge. So until we are able to procure a replacement laptop, it’s going to continue to be kind of quiet here. I’ll be back once we get back up to speed on the technology front.

Episode #49: Chopping a Mortise

While I have demonstrated the process I use for chopping a mortise before in previous videos (e.g. porringer tea table, workbench, entertainment center doors), I’ve never actually just done an episode on the mortising process. So it hasn’t been easy for folks looking for this information to find it here, because it’s burried in other videos. A recent request from the editors over at Popular Woodworking Magazine provided me with the opportunity to remedy this situation. They were looking for a video on chopping a mortise for an online extra for the article that I have coming out in the June 2013 issue. So seeing as I had to chop some mortises recently anyway, I put this together.


 

Ripping a Board – This is for You, Wilbur

My good friend Wilbur Pan and I were having a discussion about ripping a board with a hand saw last week after our CJWA meeting.  Wilbur has been researching Japanese saws and work holding methods for rough ripping tasks.  In theory, using a Japanese saw for ripping should be just as efficient, if not more efficient (due to the much thinner saw blade), than a western rip saw when both have approximately the same number of PPI.  However, he has been struggling to get the Japanese saw to rip as quickly as we typically can with a western saw.  Wilbur was curious how long it typically takes me to rip a board with a western saw.  I estimated about a minute or two depending upon wood species, but I wasn’t 100% sure as I had never really timed myself.  Well, today I needed to rip a 3′ length of 4/4 walnut, so I set the camera up and let it run while I was ripping.  I didn’t try to force anything or saw really fast.  I just ripped at my normal pace.  For this piece of walnut, it took me a second or two under 2:00.  For eastern white pine I’d expect about half this time.

Troubleshooting Wooden Plane Problems

photoI love using wooden planes.  I don’t think they’re in any way better than other types of planes.  The wood certainly doesn’t know if it was planed by a wooden or metal plane.  I just prefer the feel and action of wooden planes.  As a result of using them and demonstrating using them through the blog and podcast, I receive a lot of questions about using them and getting old wooden planes to work well. 
 
The first thing to check with a problem plane is that the iron is sharp.  The second thing to check with a problem plane is that the iron is sharp.  Assuming that the plane iron is adequately sharp, the most frequent problem that new users of wooden planes encounter are that the planes either don’t cut at all or when adjusted for a deeper cut they will only take thick cuts, chatter, skip and jam.  Mouth clogging is also a frequently encountered issue.  In my experience with wooden planes, these problems are almost always caused by two or three issues that the planes might have. I suggest addressing one of these issues at a time, in the order they are listed, and checking the plane’s performance after addressing each.  If you are having problems getting a wooden plane to work well, I’m betting that one (or all) of these adjustments will solve your plane’s issues.
 
 
Flattening the Sole
Usually, the sole of an old wooden plane is slightly concave in profile. This causes the plane to either not cut at all when the iron is set to take a light cut (because the concavity lifts the iron off the work), or to dig in and chatter because the iron has to be extended too far out in order to make contact with the board.  So flattening the sole would be my first attempt at a fix.
 
With a jack plane sole flatness typically isn’t an issue.  Jack planes are usually set up to take a thick cut.  I have never personally bothered to flatten the sole of a jack plane, though I’m not going to tell you not to if you really want to.  With a try plane, smooth plane, or joinery plane, however, you want the sole to be relatively flat in order to do fine, accurate work.
 
Planing the sole with another plane is one way to get there.  If you already have a well tuned metal (or wooden) plane, simply planing the sole flat is probably the fastest and easiest method.  With the iron backed off but tightly wedged in place, you put the plane in the bench vise, sole up, and plane the sole flat.  Take very fine cuts and check the sole frequently with a good straight edge and a pair of winding sticks.  The process is no different than flattening the face of any board. When you’re done, you want the sole to be flat and free of twist.
 
Lapping the sole with sandpaper attached to a flat substrate is another way to make it flat. Be careful with this method though. Lapping a long plane can quickly turn it into a convex soled nightmare if you use too much pressure or too aggressive of a paper.  If you make the sole convex, it is a condition that is much harder to correct.
 
I recommend not going coarser than 220 grit paper. It will go slower, but that just means that things won’t go wonky as fast.  Draw lines about 1/4″ apart side to side across the sole of the plane. This will help gauge progress. Make sure your substrate is flat and well supported.  Brush the dust off the paper frequently to keep it cutting as evenly as possible, and change the paper before you think you need to. Lapping causes the paper to dull fastest in the middle because the middle area is always in contact with the plane. When the paper dulls in the middle faster, the outside edges of the paper will cut faster than the middle, resulting in more material being removed from the outside edges of the plane than the center.  If the plane is currently concave, this can easily be mistaken as removing concavity because in a concave soled plane, the outside edges will obviously be sanded down first.  So don’t just rely on the pattern of the pencil marks on the sole to gauge your progress.  Check the sole often with a straight edge and winding sticks to make sure you don’t go past flat and make the sole convex.
 
Use light pressure when lapping. Just enough to move the plane.  Believe it or not, if you use too much pressure, you can flex a concave sole slightly back into flat while lapping, so you will think you are making progress when in fact you are simply flexing the concavity out. Then when you check with a straight edge, it will still be concave and you’ll be banging your head against the wall trying to figure out why.  The weight of the plane should provide the majority of the downward pressure.  You just want to move the plane back and fourth, without putting any significant downward pressure on it. And remember to keep the iron tightly wedged in the plane while lapping to make sure the plane is under wedge tension.  Just back it off so it doesn’t project out the mouth.  This provides the most accurate surface from lapping.
 
 
Re-bed the Iron
In these old planes, seasonal movement over the last 150 years sometimes causes the bed to take on a slightly humped profile. This makes a wooden plane all but unusable.  I’ve found this to be a very common problem with these old wooden planes.  Addressing this issue usually makes a drastic and immediate difference in how a wooden plane works.
 
This might seem like a difficult task, but it’s really not. It’s just slow, tedious and time consuming. But I’ve found that almost 9 out of 10 planes have a bedding issue when they are experiencing chatter and issues with not cutting or digging in but not producing a nice smooth cut.  To check the bedding, put the iron assembly in the plane and wedge it tight.  Turn the plane over and try to insert a thin feeler gauge between the iron and the bed (a thin piece of paper will work too). You should not be able to insert the feeler gauge past the end of the iron’s bevel. If you can, then it means that the iron is not well supported behind the cutting edge and that it is likely flexing in use. This causes bad chatter, skipping and planes that will either not cut when set thin, or will dig in and chatter when set just a hair deeper than when they were not cutting.
 
Re-bedding the iron is fairly easy, and much easier to see done than describe, so I strongly suggest you check out the podcast I did on re-bedding the plane iron in a wooden plane. All you need is a candle and a file.  Basically you soot the bevel side of the iron by holding it in the candle flame.  Then put it in the plane, being careful not to disturb the soot. Wedge it tight, then tap the iron a couple times to advance it slightly. Then remove it from the plane carefully and see where the bed of the plane has had soot transferred to it.  This is where the iron is contacting the bed. File away the sooted spots and repeat until the iron makes good contact all along the bed right at the contact point of the bottom of the iron. When done, you should no longer be able to get the feeler gauge under the iron.
 
 
Address Wedge Issues
As long as the wedge is fitting well, it’s probably fine, unless its tips are catching shavings and causing the mouth to clog in use.  Many times, the wedge has shrunk narrower than the mortise, so the tips of the wedge are not in contact with the sides of the wedge abutments.  You can see if this is the case by looking into the mouth from the sole of the plane and observing the tips of the wedge.  You might need a flashlight to do this.  If the wedge has shrunk, you’ll see a small space between the tips of the wedge and the sides of the wedge abutments. These spaces can trap shavings, especially when the plane is skewed, because skewing directs the shaving to the sides of the abutments.  To fix this problem, you can glue on a thin piece to either side of the wedge and reshape the wedge to tightly fit the sides of the abutments or you can make a new wedge. Here’s a post I did several years ago on making a new wedge.
 
 
Thoughts on Mouth Patches
Some people advocate adding a patch to the sole of a wooden plane to close up the mouth.  I’ve never bothered to do this, although I have seen some examples of old planes where this was done.  The thing is, I don’t think these old planes ever had or were intended to have really tight mouths.  I have seen (and purchased) old planes that were virtually unused and the mouths were not what would be considered tight today by any means.  I’ve not encountered a domestic hardwood where I felt a plane with a tighter mouth would have been helpful either.  I think a really tight mouth in a wooden plane can lead to clogging do the the wear part of the throat closing in on the shaving. Perhaps a really tight mouth would be helpful in a smoother designed to tackle really nasty exotic hardwoods with convoluded grain.  I’ll never know as I don’t use these woods.  For a jack or try plane a mouth patch would be a waste of time in my opinion.  Even for smoothing, I’ve never found a wood [that I commonly use] that I couldn’t handle with my 55 degree smooth plane and/or a card scraper.  So I’d pass on the mouth patch for now.
 
 
Conclusions
Wooden planes have way fewer parts compared to metal planes.  In addition, none of these parts move (except that whole seasonal movement thing).  So in my experience, they are much simpler to troubleshoot and fix than metal planes.  Hopefully these tips will help you get that old wooden plane of yours back into prime working condition as well.

Some Chisels for Sale

I have a few extra chisels that I don’t use that were bought as part of different lots of chisels that I purchased several years ago. These chisels have all been cleaned up and sharpened and are ready to go right to work. Prices reflect basically what I paid for the chisel. I’m not looking to make any money on these, just to get back what I paid. Shipping cost will be determined by your location but shouldn’t be much as these are all tanged chisels and they aren’t very heavy. First one to leave a comment that says I’ll take “insert chisel number/name here” gets the tool. Buy all four and I’ll knock $5 off the bunch.

Chisel #1 – Ward ½” Bevel Edge Chisel, Sheffield – $10 + Shipping

This chisel makes a really nice dovetail and/or paring chisel.  It is ground and honed with a shallow bevel (maybe around 20°) and has side bevels that are very thin, making for a nice, thin, delicate chisel that can get into fine areas for dovetail work and take a very keen edge. Very sharp and ready to go to work.

 

Chisel #2 - Swift ½” Straight Sided Chisel, Sheffield – $10 + Shipping

A good general purpose bench chisel in a very useful size.  Nice and stout for chopping but made from that wonderful cast steel that sharpens easily, takes a very fine edge and can be used for chopping and paring.  Ground and honed somewhere between 25° and 30°, sharp, and ready to get right to work.  Solid boxwood handle that is tight but is not original to the chisel.

 

Chisel #3 - Tyzac 1″ Straight Sided Chisel, Sheffield – $10 + Shipping

A very good chisel. Plenty of length and life left, good solid ash handle, nice balance and more of that wonderful English cast steel.  Ground and honed somewhere between 25° and 30°, sharp, and ready to get right to work.

 

Chisel #4 – Unknown ¼” Incannel Gouge, Sheffield – $15 + Shipping

I think this one is marked, but it’s not in front of me at the moment so I’m not sure who it’s made by.  These can be a bit of a challenge to grind and sharpen, but I’ve done that already, so all you’ll need to do is take it out of the box and go pare something.  These are indispensable tools for any kind of traditional work.  Typically used for paring work only (this one’s not ground steep enough for mallet work) they are wonderful for coping moldings, and make quick work of cleaning up and smoothing concave areas.  With a sharp incannel gouge, you can make a nice smooth concave cut that requires no sanding, scraping, filing or any other treatment before adding finish. Everyone should own a set of these.

Wide Construction Lumber for a Workbench

I get this question a lot ever since building my Nicholson inspired workbench.

Has your workbench exploded yet from the twisting and warping that has undoubtedly occurred as a result of your use of those wide construction grade boards?

OK. So maybe the questions aren’t worded exactly like that. But I do get a lot of questions about using wide construction grade lumber for a workbench and how to prevent the resulting bench from self destructing. Personally I think this concern is a bit over hyped, but there are some things you should do when building your bench to make sure you don’t have too many problems down the road.

The #1 trick to using wide 2X construction boards for a workbench is to make sure they are dry before you use them. The construction grade 2X stock that many home centers carry is not kiln dried. This means that the miosture content of that stock is going to be very high. Too high to work with right away. If you can, find a supplier who sells 2X stock that has been kiln dried. I was able to buy kiln dried 2X stock for my workbench. So once I brought the boards into my shop and left them stickered there for a couple of months, I could be sure they wouldn’t move much after building the workbench. Since the boards will stay in the shop after the bench is built, the best place to equilibrate them is in the shop space.

If you are not blessed with a supplier in your area that sells kiln dried 2X material, all is not lost. You will simply need to let the boards sit and dry for much longer than you will with kiln dried stock. Bring them into your shop, stack and sticker the boards, and let them sit for several months. Check the moisture content once every week or so and don’t work with the boards until the moisture content stays relatively constant. After they are dry, you may have to re-flatten them, but if you chose your boards carefully, you may not have to flatten them much, if at all.

That brings me to tip #2 for using wide construction grade timber for a workbench. Choose your stock carefully. Even if your stock is kiln dried, but especially if it is not, you want to choose boards that were sawn as close to the center of the tree as possible. This will give the board the greatest amount of “quarter sawn” grain as possible. Wood moves the most in a direction that is tangential to the growth rings. This causes flat sawn boards that are close to the bark (those with near horizontal growth ring patterns on their ends) to cup severely when they move. However, boards sawn close to the center of the tree will cup much less, even if they were not kiln dried. After the boards have sat in your shop for several months, choose the ones that have cupped the least to use for the aprons and top boards. Those with the most cup should be ripped into narrower boards for use as stretchers and cross bearing braces for underneath the top.

This brings me to tip #3. Use the absolute widest and longest boards you can find. Wide, long boards need to come from wide, tall trees. In addition, the widest boards are sawn from the areas of the log that are closest to the center of the tree. Don’t try to save money by purchasing 2x4s for the stretchers and cross bearing braces. These boards are likely to twist and warp on you. These benches are inexpensive enough to build from wide stuff. Trying to save another $10 by buying 2x4s instead of 2x12s will make you curse construction lumber workbenches. Get all of your parts from 2x12s, and the longest ones you can get at that. If you can find 20 footers, they are likely to be flatter and straighter than 8 footers. The bench will cost you a bit more, but you’ll be happier and have a bench with fewer knots in the end.

With workbenches made from DRY construction grade lumber, once everything is assembled, movement is actually very minimal. Contrary to popular belief, softwoods like pine, fir and spruce are extremely stable, when they are dry. Softwoods get a bad reputation for being unstable because they are usually still wet when they are purchassed. Construction lumber is not typically dried to the same level as hardwoods for fine woodworking (at least not here in the States). So as the wood continues to dry, it will typically move. However, once it has been dried to the same level as the hardwoods typically are, most dry softwoods are actually more stable than most dry hardwoods. So the #1 factor in getting a good, stable and flat workbench out of softwoods is to make sure they are adequately dried before you start building with them.

I built my workbench several years ago and have been working with it regularly ever since. It does not have any kind of finish on it, so it is fully exposed to all the humidity swings that occur during the year. I have needed to re-flatten my workbench top exactly one time since building it, and even then, it had moved so little and was so barely out of flat, that it took me less than 10 minutes to do the job. I have no doubts that constrution grade lumber can make a fantastic workbench. With just a little up front preparation, you can have a workbench that will last you several generations without spending a fortune. Being built of construction grade lumber, I am also not afraid to ding it up, scratch it, spill stain on it, drip glue on it or hurt it in any way. I treat it like a workbench, not a piece of furniture, and I know I can replace the top for $20 if it ever gets too far gone. So don’t fear wide boards. Wide boards are your friends.